While such critiques frustrate those who insist upon the inherent metamorphoses any literary work must go through to successfully translate poetic words into evocative images, their validity should not be dismissed. For more fastidious fans, viewing the filmed version of a favorite book becomes an almost clinical act of comparative scrutiny when a cherished character is altered, established chronology is twisted, or plot points are altogether expunged, literary devotees cry foul and dismiss the film as betraying the spirit of the original work. The rise of live-action fantasy franchises adapted from beloved literary sources has particularly highlighted the complicated relationship between films, the books they’re based on, and the filmgoers who may or may not be familiar with the original written works. Andrew Adamson, United Kingdom/U.S., Walt Disney Pictures The Narnia saga is still on the rails, but over the next five movies, I fear a continual replaying of the fantasy-theological contest between good and evil, before the arrival of Lewis's Book Of Revelations, The Last Battle, is going to get a little wearing.Dir. It's a long shot of her stunned face, quite different from the untroubled children in the group, a shot which Adamson does not immediately replace with her point-of-view in a way we might expect. This second episode certainly has much of the first film's ingenuous openness and energy, and this is very largely due to another scene-stealer of a performance from Georgie Henley as Lucy, who in being able to see Aslan before anyone else is in a state of grace exceeding her siblings, and the scene in which she does so is rather daringly executed.
WHERE DID THEY FILM NARNIA PRINCE CASPIAN MOVIE
Well, there are no easy answers to these questions, and we must instead contemplate the usual fantasy movie staples: there's the gigantic medieval field of battle and also, worryingly, the boring "cabinet" or "convocation" scene in which grey-bearded lords and elders debate their strategic intentions for our benefit. Through it all, three questions dominate: where is Aslan now, when will he or rather He make His Second Coming, and why, oh why, has He not made It before now? A mighty battle commences, along with a lethal temptation to kowtow to the forces of darkness, triggering a resplendent cameo for Tilda Swinton as the wicked White Witch. The children's reign is a distant folk memory, and Narnia with its gentle woodfolk creatures has been overrun by human invaders, the Telmarines, whose evil King Miraz (Sergio Castellitto) is preparing to fortify his reign by executing his nephew Caspian, a decent sort who believes in friendship on equal terms with the Narnians and even giving them self-rule.
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Just as the children are chafing at their reduced non-Royal status, they find themselves transported back to Narnia, but they have been catapulted 1300 years in the future, during which time there has been precious little advance in industry and technology: there's crossbows and that's about it. We know the date from a glimpsed newspaper: 12th July 1941, at the time of the British-Soviet pact, and strategic alliances are of course to be very important, too, in Narnia's parallel universe. Our famous four, Peter (William Moseley), Susan (Anna Popplewell), Edmund (Skandar Keynes) and Lucy (Georgie Henley) are down in the Strand underground station in wartime London. Prince Caspian begins with a brilliant narrative flourish. The loser is Edmund, whose flirtations with the dark side gave the first story its thrill and underpinned the Christian-humanist message which fans and foes alike continue to find so explosive. It is also that in introducing a new, more grown-up and plausibly dishy leading male - the eponymous Prince Caspian, boldly played by Ben Barnes - one of the children inevitably gets crowded out of the action.
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WHERE DID THEY FILM NARNIA PRINCE CASPIAN SERIES
Families and fans of the CS Lewis books can consider themselves in safe hands, though in my view some of the magic has gone, perhaps simply because the interest of the Narnia series itself declines exponentially as it progresses towards the very uncomfortable, theologically strained finale in the seventh and last volume. A ndrew Adamson follows up his tremendous movie version of The Lion, The Witch And The Wardrobe with the second in the series, Prince Caspian, and it's entertaining, value-for-money stuff.